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Disclaimer: This is Frank Herlinger's personal blog. Like most personal blogs, it's mostly full of self-indulgent drivel. Why anyone would read the blog of someone they don't know personally, and even then someone they don't love deeply and without condition - in short, one's child or life partner - I can't really understand. I should recommend that you read something truly good and useful. But
, because I believe in kindness, thank you for reading this, whatever your misguided reasons.

If you want to see my professional copywriter portfolio, it's here.

Saturday, 2 July 2011

"Morgen"


FitnessFirst, the UK gym chain, has expanded into Germany. I don’t know when this happened because, like so many things in Berlin, it wasn’t here the last time I was. Suddenly, they are, like Starbucks outlets before them, everywhere.

The nearest location is three minutes walk from my apartment in the Schoenhauser Allee Arcaden, one of many cookie-cutter neighbourhood shopping centres in East Berlin that were built in the naughties yet appear to have been based on communist blueprints drafted in the late 1970s or early 1980s. It is much closer in appearance and content to an updated Elephant and Castle Shopping Centre than to the modern architectural sprawl of, say, Westfield in London.

Perched upon the crows-nest level of the way-too-beige Allee Arcaden is a FitnessFirst. It is roughly the same size, on average, as its London counterparts with two big differences: it’s full of Germans, and it’s remarkably mildew-free. In fact, it is spotlessly clean with not a hint of the cow-herding, get ‘em in, get ‘em out complacent neglect apparent in nearly all of the ‘economy class’ London branches. (The so-called ‘Silver’ branches of London and their conspicuous celebration of British classism are nowhere to be found in Berlin. Ah, Socialism.)

But no matter where they are, gyms are still pretty much the same. Treadmills, elliptical trainers and stationary bicycles are lined up in invasion formation near the front, facing a wall full of flat-screen TVs broadcasting, in this case, completely unintelligible but recognisable content (Even reruns of ‘Die Nanny’ seem utterly foreign, and I wonder if Fran Drescher’s German voiceover manages to project the same annoying nasal honk and irritating laugh. But, alas, I can’t bring myself to tune in with the treadmill sliding away beneath my clumping gait. And who could stomach someone speaking German in Fran Drescher's voice first thing in the morning?). Free weights for the body builders are piled along a wall to one side, and the rest of the gym is taken up by redundant weight machines, mirrors and so on.

People huff, puff, sweat, turn bright pink, squirt water from plastic bottles into their mouths. Hunky staff (even some of the women fall into this category) man the desk, greet members, scan their membership cards and make and sell smoothies. Trainers roam the floor looking for business or urge middle-aged men to push through one more rep. Were it not for the German signage, a standard workout with throbbing iPod in ears would lead one to conclude they were in any gym, anywhere.

There is, however, one especially striking difference.

My first morning at the FitnessFirst, I handed my card to the smiling lump of muscle behind the counter, earbuds blasting my morning head-clearing music, and smiled and nodded towards him as the scanned card landed back in my hand. I rounded the front desk and headed for the locker room with as much determination as I can muster at 7:10am on a Wednesday.

At my leisure, I chose a locker (the gym is remarkably sparsely attended in the mornings, which is why I get up at stupid o’clock to go there), turned off my music, wound the earphone cable around my iPhone, tucked it into the locker and began changing into gym kit. Just then, I detected with the corner of my eye a small man of roughly 50 years approaching. He chose a locker in the row opposite mine, so about two metres away, opened the door, turned his head toward me and spoke the word ‘Morgen.’

I can only blame a decade in ‘everyone to their privacy bubble!’ London for the feeling of astonishment that washed through me. In the London Underground, for example, where strangers are routinely packed so closely together that I can tell those who floss their teeth regularly from those who do not just by smell, a random person can sit on your lap or come very near to making a form of violent, inadvertent love to you and still not acknowledge your presence, either verbally or with body language.

For fun, walk down a pavement in London sometime and play a little game I like to call ‘Count the Corneas.’ I have managed to walk a kilometre or more in London and pass dozens of my fellow pedestrians without detecting so much as an eyelash. We not only do not look at one another, let alone nod a greeting to one another, let alone, dear God in heaven, speak to one another – we regard each other with an indifference that, frankly, leaves the heart a little heavier with each passing stranger. In London, we generally treat each other not with distain so much as egregious social neglect.

Take a ride in the regional trains or the U-bahn or street trams of Berlin, and the world is a very different place. Rarely do school children and adolescents behave in a way that frightens the elderly (and, frankly, me). Never will another passenger so much as nudge you and not say ‘Entschuldigung.’ Nowhere is there shyness about glancing at another person’s face, should that be what you feel like doing. And, oh the humanity, you may even hear short bursts of conversation between people who, seconds before, had never met each other.

After I lifted my bottom jaw off my gym socks, and the dizzying cultural shit storm that so often blows me down in distinctly foreign situations abated somewhat, I managed to open my mouth and say ‘Morgen’ back to the man. I say, ‘managed to say,’ but what really happened was much more cruel than that: instead of an intelligible German word, all I managed to do was issue a croak that sounded more like the first words of the day spoken by a heavy smoker with a throat full of whiskey.

What was so cruel about this was the sudden realisation that this really was the first time I had spoken that day, which made me feel just a bit isolated and alone in the world - but has since taught me that, before entering the FitnessFirst locker room, it is a very good idea for those who live alone to clear the throat, for they may be required, in a very gentle and obviously human way, to come back into the community. And I love it very, very much.

Monday, 28 June 2010

Amerikaner in Berlin III: Die Sprache und so weiter

I learned my first German words in High School. For four years I studied the language and gained a command formidable enough to enable me to earn eight university credits by sitting an exam one afternoon. This was the equivalent of stealing two full university semesters, or one academic year, and I didn't have to crack open a German language book to do it.

That was in 1984. Of course the interim 26 years have left my abilities a bit flat. I can barely order a Schnitzel now without making a grammatical error, or just flubbing the nouns entirely. I've spent much of the past month working in Berlin in a state of angst (a German word, by the by, if one capitalises the 'A,' as one is required to do with all German nouns) and have spoken very little in public, such is my fear of getting it so terribly wrong. However, I have soldiered through, gotten somewhat past it, and also spent a great deal of my free time attempting to communicate with a German friend whose grasp of English is only slightly less shitty than my residual knowledge of his mother tongue.

A few truths about the language have revealed themselves in the meantime, most of which I somehow missed during my formal education, and some of which I already knew about but with which I have become painstakingly reacquainted. I hope you find the following informative and not too preclusive to pursuing any interest you may have had in the German language.

1. The accent is just about always on the first syllable.

I read somewhere, probably a guidebook as I was on holiday in Prague at the time, that every Czech word, no matter how many syllables make it up, is stressed up front. STARopramen, for example. It only hit me a couple days ago that German very closely follows this convention. Here are a few words off the top of my head that fit the bill:

WENiger - less, fewer, minus
TROTZdem - nevertheless
ARbeitsgeber - employer (literally, 'work giver')
BAHNhof - railway station
KERZe - candle
FERNseh - television
DONnerstag - Thursday
Abendessen - dinner
FRUEstueck - breakfast

In the course of this exercise, I've also discovered a few notable exceptions:

geNUG - enough
proBIERen - to try, to practice
zuSAMmen - together
GarNELen - prawns

But the examples in favour keep coming faster than the exceptions:

FENster - window
AUto - car
NOEtig - necessary
WICHtig - important
MITtag- afternoon
SONne - sun
REGelmaessig - regular and regularly (see point 2 below)
LANGweilig - boring

Which is what this exercise is in danger of becoming if I don't move on now.

2. Many adjectives can also be used as adverbs without changing a letter.

langsam - 'slow' and also 'slowly'
kurz - 'short,' 'brief' and also 'shortly'
gross - 'big,' 'large,' 'great' and also 'greatly'
ernst - 'serious' and also 'seriously'
einfach - 'simple' and also 'simply'
gleich - 'same' or 'equal' and also 'equally'

What changes is the constructions around these words. For example, 'kurz' only means 'shortly' when paired with another word such as 'darauf,' as in 'kurz darauf,' or 'shortly thereafter.'

Then again, this is hardly peculiar to German as we can also play this game in English:

frueh - early, both adjective (early morning) and adverb (he arrived early)

But I can't think of another beyond 'early.' Can you?

3. Verbs are a mess

In English, we have pretty much two main kinds of verbs: regular and irregular. The same holds true for German, but there are a few other very common forms with which the non-native speaker must grapple, often from one sentence to the next.

Reflexive verbs: These take the action of the verb and throw it back in the lap of the speaker, sometimes literally. For example, one does not sit down. One sits one's self down:

Ich setze mich hin.

One does not fall in love with someone. One falls one's self in love in him:

Ich verliebe mich in ihn.

And, perhaps most bizarrely, one doesn't look forward to something. One pleases one's self on something (for example, a wedding), and that something must be presented at last in the accusative case:

Ich freue mich auf ihre Hochzeit.

Separable verbs: These gems are a real nightmare. Simply put, when using these in a present-tense sentence, the front bit of the verb snaps off and runs to the end, just before the closing punctuation.

For example, 'aufstehen,' 'to stand up' or 'to get up (from bed).' If you want to say 'I get up at 8:00,' you have to say

Ich stehe um 8 Uhr auf.

There seems to be hundreds of these verbs, starting with 'auf,' 'aus,' 'zu,' 'unter,' 'mit' and any other number of (especially) prepositions. I close separable verbs with the most appropos example:

Ich gebe auf.

I give up.

Fine, you may say, because we do something similar in English, as just shown, but we don't have as a formal verb infinitive 'upgive.' But then, English developed a somewhat diminished propensity for stringing smaller words together into larger ones.

And the rest: There are a few other types of verbs that I won't get into, frankly because I still don't understand how they work, such as the 'zu + Infinitiv' verbs. But I can't close this verb chat without pointing out what I think is a simple truth of good old German irregular verbs in general: there is nothing general about them, except that they are generally highly irregular.

Yes, we have our 'funny' verbs in English. We 'take' something, but after the fact we've either 'taken' it, or we 'took' it. 'To be' is always a nutcase of a verb, as is 'to go,' with its 'wents' and 'have gones.'

But in German, the trouble often follows you through the tenses with even the most innocuous-sounding verbs, starting with the present:

lesen (to read)
ich lese
du liest
er liest
wir lesen
ihr lest
sie lesen

All over the shop, as is 'geben,' 'to give':

ich gebe
du gibst
er gibt
wir geben
ihr gebt
sie geben

There's a great tendency for things to fall apart somewhere around the second- and third-person singular, even in the most common verbs. All you can do is keep using them until they make some kind of sense. This doesn't happen with many of these verbs in a month of half-immersion, however.

If the present tense is a head-scratcher, just look at how things go to hell when the beleaguered past tense is dragged into it:

bleiben (to stay, to remain)
ich blieb
du bliebst
er blieb
wir blieben
ihr bliebt
sie blieben

I'm sorry, but this is just a load of gratuitous vowel-swapping of the most cynical sort. I like 'I stay,' and I love 'I stayed.' But I would grow very uncomfortable, very quickly, if I had to run around slurring like a Scotsman, saying 'I styaed' every time I recounted a holiday tale.

Someone make it stop.

But it doesn't. The twists and turns keep coming and coming: Dragging present participles to the ends of sentences, only to have to leave them there to compete with splintery little bits of separable verbs, depending on which part of which phrase they live in. Swapping 'have' or 'has' as the helper verb in intransitive present participles with 'am' or 'is,' as in 'Ich bin gegangen.' (Literally, 'I am gone,' not 'I have gone,' although the latter translation is the correct one.). Lining up and intertwining complex clauses that ignite train wrecks of pieces of verbs, irregular past tense constructions and stacks of very, very lost prepositions at their congested ends.

And that's just verbs.

4. The case of the abominable cases.

I'm not going to dwell on this. I'm just going to leap to the summary: There are too many cases in German. Couple this with the fact that there are three genders (masculine, feminine, neuter) and as many definite AND indefinite articles for each, and you've got the makings of a terminal migraine.

I want to take this opportunity to draft a simple love note to the person who so very wisely condensed the indefinite article in English (and, as I understand from a poker game earlier in the week, Finnish) to one, beautiful word - a letter, in fact, the first in the alphabet, unless of course it precedes a word starting with a vowel, in which case we lovingly tack an 'n' on it to make it easy to pronounce. Here's to the progenitor of the word 'a.' I love you, sir, madam or what were you.

Here are just a few ways one can, and must, use the indefinite article in German:

ein
eine
einer
einen
einem
eines

These all mean, very simply, 'a.' As in 'a table,' 'a cat,' 'a house.'

And the definite article, in English our happy 'the,' takes on even more forms:

der
die
das
dem
den
des
derren
dessen

and a few more I can't remember, all meaning exactly 'the.'

Forgetting that a table is masculine (der Tisch), a cat is feminine (die Katze), and a house without gender (das Haus), all three articles change depending on which case they are used in a sentence; e.g., nominative, accusative, dative or genitive (used to show ownership and pretty much gone from common usage, thank GOD!).

5. In order to pronounce some words correctly, one would require glottal surgery.

I've eaten several poppy seed rolls for breakfast in Berlin. The word for these tasty bits of bread is 'Mohnbroetchen.' I have tried and I have tried, but to get the word to come out, I have to stand on my head, hold my left nostril shut, round my lips and exhale through a vuvuzela.

The other word I can't get out without trauma is 'furchtbar,' which means 'horrible' or 'frightfully.' (Another adjective/adverb pair word.) It should be easier than it is, but I've found myself lying in bed repeating the word aloud over and over again, trying to make it sound in the air as it does in my head. Unfortunately, it just sounds furchtbar.

6. Conclusion

I love English. I love its simplicity of article, its disregard for case complexity, its easy verbs and lower-case nouns.

But I also love this crazy Teutonic language with which I've become surrounded. And I intend to continue to become further reacquainted with it in isolation at my desk in London.

So if you hear a vuvuzela honking after the closing ceremonies of the World Cup, it's just me trying to order some bread rolls. Ich lerne noch Deutsch.

Saturday, 19 June 2010

Amerikaner in Berlin - Part II: Toilet training

I probably shouldn't mention this, but, during World War II, folklore has it that allied soldiers excused themselves to use the toilet by announcing to their comrades in arms that they were "going to call Hitler."

If the state of German toilets in the 1940s was any indication of the cruelty the average citizen endured for the crime of attempting a good Scheisse - never mind speaking out against the Nazis - then the proverbial saying probably understated their discomfort.

I know not what bygone - and no doubt sadistic - regime was in power when the toilet in my Charlottenburg apartment was cracked free from its hellish mould, but I pray that, like a house in Bradford or Felixstowe featured in 'Homes Under the Hammer,' it innocently suffers from a long overdue update.

The first time I engaged the loo in a sitting position, I was aware of an olfactory disturbance more intense than I've experienced on my own behalf since my mother opened my soiled nappy. Now, let's call it what it is: it's shit. And, yes, it stinks. But clearly, either I had eaten and just passed a skunk steak, or some other demonic force was at work.

It was only when I stood up and the gag reflex triggered that I discovered the root of the problem: my toilet, or 'faecal garotte,' as I prefer to think back on it, was constructed in such a way that whatever came out of one landed - or, more at it, perched itself - on something akin to a hamster-sized wading pool that contained, in its slight concavity, about 200ml of water. And a whole lot of stuff I don't need to tell you about - there in plain view, nearer to anyone, especially me, than even Satan could have intended.

I covered my mouth and nose and backed away in utter disgust. There, in this cruelly constructed little shit ventricle, was half a day's worth of my own, I shall euphemise, detritus, staring up at me and affording me a view of 'what comes naturally' such as I've never been forced to endure.

Who, I asked myself, fanning the bathroom door post-flush, could have thought up a design so...personally revealing, and simultaneously offensive? Isn't it a fact of our existence that some mirrors are simply too disturbing to be gazed into? And what could be gained from this information? Did Germans back in whatever day it was this insane contraption was conceived routinely inspect their own - and perhaps others' - faeces? And for what purposes? Medical? Purely scientific? Shits and giggles (see what I did there?)?

And, more importantly, if I am to LIVE with this choking-stench machine from hell for two weeks, how on earth can I spare myself its inherent sadism?

Of course I learned to reach around after the first 'kaboom' and trip the flush, which ran like Niagara through the poo trough, over a small porcelain lip (I shuddered each time to think how near it must have come to my bits on the way) and down a rather standard-looking toilet drain, which would have better served humanity had it been placed where it should have been: in the bloody centre of the bowl, under the bum.

My employer has mercifully relocated me to a very modern apartment in a high building in what resembles a somewhat Communist rendition of London's Barbican Centre. The loo is rectangular, which I don't mind at all, and looks and works like every other toilet I've ever seen in my life - from greasy American truck stop to dive pub in Scotland.

Each time I use it, and allow the Ikea seat and lid to gently return themselves to a closed position with a satisfying 'bump', I smile just a little, exhale and say a prayer to the plumbing gods, whose much under-appreciated modern works I shall never again take for granted.

Sunday, 30 May 2010

Amerikaner in Berlin - Part I: Grin and (Berliner) Bear It

1. Lost in transition

I don’t want to hear another word about ‘broken Britain.’ Say what you will about the place - and perhaps the real reason it was a piece of piss getting out of the country was mainly because I know where the landmines are and can navigate them sans loss of limb – but there was nary a hiccup to adversely punctuate the journey from my flat to Paddington Station via taxi, or to Heathrow via the Express. Just as I had conceived of it, it all followed the script to the letter.

No, the problems only started on the ground in Berlin at Tegel Airport. Yes, my bag spun right in front of me within the minute upon my arrival at the carousel – which was only slightly delayed by the bizarre placement of German passport control just at the end of the jetway, which created a bizarre Philip Larkinesque ‘Traeumerei’ queue in the narrow corridor. But the man with my name on a sign was where he was supposed to be. So far, so good.

Then the fun really ramped up. My driver had done half his homework, which seemed at the moment better than having neglected it entirely. “Hotel Armano? Rosenthaler Strasse 65, 10119?”

“Ja. Dass ist richtig. In Mitte. Danke,” I said, even though the hotel was actually called “Amano.” But being only one letter off in a conversation between people who barely speak each others’ languages is the same as scoring 110% on a quiz. I though that was that, and we’d be off and me in my cushy room lickety.

The next 10 minutes were spent standing stock still just outside the arrivals hall in a van built for 10 passengers (I was the only one), listening to a peculiar digital ‘tick…..tick…..tick…..tick…..tick’ as the driver pecked every character of the address with small plastic stylus into a GRPS device that was clearly designed to do little more than piss off anyone who was doomed to depend on it. I suspected the Russians, but I digress.

Finally, off we went, driving, driving, driving. Into central Berlin – then out of central Berlin, then way, way out of central Berlin and into, nearly 45 minutes later, a Rosenthaler Strasse in what appeared to be a section of rural Poland where the likelihood of finding a hotel was tantamount to spotting a unicorn, even in a place this remote and, frankly, charming.

“Scheisse,” said the driver.

“Scheisse, indeed,” I thought.

We pulled off the road. The heavens opened. First, rain fell in torrents. Then the hail started, barely distinguishable from the next bout of ‘tick…..tick…..ticking,’ which continued for another five minutes.

For convenience, I’ll stick to English for the remainder of the dialogue.

“Do you have the telephone number of the hotel?” asked the driver.

I pulled out the ever-ready stack of stapled travel documents that I collect in advance of any journey involving an aeroplane, whether I’m going on a beach lie-about or a business trip. I like to be prepared in strange lands and strange hands.

“Yes, here it is,” I said, handing the driver my travel tome, flipped to the right page, finger on the number.

He dialled. “The number doesn’t work.” But I noticed, sitting in a position in which it was easy to see what he had dialled, that he had dialled the number as if he were calling from abroad, starting with the “49” country code and adding in the remaining numbers.

Had I been wrong about this? Surely a very obviously German-speaking chauffeur who deals in completing motor journeys in one city, mostly from airports, knows how to dial a phone number in the local numerical vernacular, even if the number is expressed in its international form?

I decided it was time to assume a modicum of control. I rang the hotel from my mobile. The call went straight through.

The receptionist told me to hand the phone to the driver. He wrote down the address, spent five more minutes in another roadside tickfest, then sped away, back to the centre, I hoped, of the German capital.

Ten minutes later, we were off the side of a busy city street, more marathon ticking in the mother f**king GPRS. This happened three more times before the driver, a man, of course, asked me yet again for the number of the hotel.

I was able to explain to him in my 7-year-old's German that the “49” at the beginning was only to be dialled when calling from abroad. “Perhaps,” I said, assuming a similar system to that used in the UK, “one should ignore the country code and start the number with a “zero.”

Six seconds later, the Dummkopf was talking with the hotel receptionist.

Again.

Fifteen minutes later, we arrived at the hotel at Rosenthaler Strasse 65, Berlin 10119. Have a spoonful of that Scheisse.

I felt a bit churlish jumping out of the ueber-van, snapping open the boot myself and hoisting my bag out of the back – with a speed that would have otherwise thrown my back out – before snarling “Danke schoen” and denying him a tip. However, he had collected me at the airport fully two hours before, and none of this had been my fault, although I had thought perhaps it had been when he managed to find the only other Rosenthaler Strasse in greater Berlin upon entering what I thought were the very precise coordinates given him.

But it wasn’t my fault, nor that of my employer’s travel agent. So no tip. Judge me harshly if you wish, but remember: it took less time to fly more than 800km than it took to drive 30. In this age of conservativism, which works wonderfully for me when it’s convenient, I just couldn’t justify rewarding this sort of incompetence and wastefulness.

2. Room with a balance due

And while none of this was my employer’s travel agent’s fault, what WAS their fault was what happened upon check-in at the hotel.

The room: reserved. The room: not paid for. It turned out there was no way to pay for a room reserved through the hotel's website. I mean really. An ultra-modern hotel with marble and slate surfaces everywhere that offers mp3 tours for iPods with a website that doesn’t handle e-commerce? Whoopsie, indeed. No biggie. I just had to expense it, and if only the world had my problems.

3. Suffocatingski

The following morning, I arose, pretty refreshed and bushy tailed, ready for work. I paid for the hotel, ate breakfast (reimbursing me those delicious 11 euros was the least my employer could do for not getting the hotel arrangements right) and strolled carefree with 20 kilos worth of stuff hanging off my back to the office, about 10 minutes away.

I found myself in the care of a very lovely team who were happier to see me than I had anticipated, given that, for the first eight months of the project, programmers and developers had been playing copywriter. Never a good thing, unless said developers are also frustrated novelists who spend their evenings feverishly typing probing dialogue between engaging characters.

Given the stoic nature of the foursome with whom I was to share space, I was certain this wasn’t the case. When I was shown to my desk, it was in a room behind a tightly closed door. Inside were four large men sitting at desks, typing on laptops in monkish silence. I estimated this motley development team at two Russians, a Swede and an eastern European of some stripe. What was most peculiar was that, even though there was a floor-to-ceiling window facing onto a collection of towering trees, gently swaying in the fresh breeze in charming Schoenhauser Allee, the window, too, was firmly shut.

One of the Russians, who sat directly across from me, was an inelegantly overweight man of about 30 years with a Rasputinesque beard who spent the larger part of the day burping full-fat Coke, which he periodically gulped from a litre bottle. Whenever he left the room to retrieve yet another free cappuccino from the machine in the kitchen, he not so much walked there and back as stomped. At first, I attributed the regular rumbling to a loud car stereo, but soon made the connection. And after all, his blood stream must have been 80% pure caffeine. Who could move gingerly on that much jet fuel?

None of the men kept their shoes on while working, and none seemed terribly interested in physical health or personal hygiene. Whenever any of them came into or went out of the room, they almost instinctively shut the door behind them. The room became unbearably suffocating and stayed that way the entire day, even when they all went out to lunch. (I did manage to crank up the aircon surreptitiously, hoping that may draw more of their air out and processed, filtered air in after lunch. No dice.)

‘Why,’ you are no doubt asking, ‘didn’t you just open the window?’ The quick answer is, I was afraid to. This happy, smelly collection of rough, obese geeks regarded this room as their territory, and I was an unexpected interloper – from the creative department, no less - whom they were required to tolerate. That is why the door always remained shut: to maintain and control the border. They would have regarded opening the window or door an affront to sovereignty, an act of corporate warfare. I felt slightly doomed and hoped my two-week contract would not be extended.

At six o’clock, I was never so happy to inhale diesel fumes in the back of the taxi with luggage in tow on the long commute to West Berlin, where I would pop the keys to my apartment in the door, shut it behind me and instantly open all the windows.

4. Twenty-two doors and nowhere to live

It would have all gone perfectly were it not for one missing piece of very basic information. I don’t know how, after a week of planning, I had forgotten to ask anyone for the number of the apartment in which I would be staying at Friedbergstrasse 45 in Charlottenburg.

Uncharacteristically, I had also not printed the information about the apartment from its listing online. However, at the end of this unhappy drama, during which I finally nearly broke down a shed a couple tears, I found that the flat number wasn’t listed anyway. Another 'hats off' to the HR department, whose stock slumped in my mind to a record low.

I rang London. It was after working hours. The HR manager tried to raise someone who could help me in the London office. No one was available. I work in digital communications, somehow, without accessing the internet through my mobile phone. (But, as noted, that wouldn’t have helped, anyway.)

By then, I had remembered that the apartment was on the fourth floor, back of house. I climbed eight flights with two pieces of luggage and found two doors. One flat I could see into clearly through the peephole. At the end of a long hallway was a collection of teddy bears. I turned to deal with the other door.

None of the keys worked in any of the locks, and I began to panic slightly, thinking the inhabitants were just the other side of the door by now, shaking hands steadying a shot gun, which would no doubt go off accidentally.

I took my bags back downstairs and sat outside the building, head in hands. A passing young couple asked me for an address. "Ich habe hier nimmer gewesen. Nein, ich bin hier nimmer...," but they had already walked off, not only instantly aware that I was foreign, but also a flustered language butcher. My heart was not buoyed.

I stood on the stoop and looked through the building. In back, I saw a courtyard. Behind the courtyard was another building. A quick walk through the courtyard and I finally understood German urban architecture: the buildings are half-squares, connected to other half squares, with shared courtyards between, more or less. Reluctant to repeat the key exercise with another nerve-wracked German family, I realised that the small, fourth key on the ring must fit in a mailbox in the rear building.

I hit the right keyhole on the fourth attempt. The mailbox was so overflowing with post that some fell out before I could shut the door again. This had to be the right place, as unsettling a portent as a neglected mailbox was to the condition of the flat assigned to it. But no matter. I knew I had to find the flat with ‘KRENZ’ next to the door, for, for some reason, apartments in Berlin don’t seem to be numbered, but instead bear the name of the owner or occupant. How cryptic. How German.

By the time I hauled everything up another eight flights, I was a sweaty, dizzy mess standing in a slightly dusty but well-appointed apartment. And I’d never been so happy to be in a complete stranger’s house.

5. Not a word

I’ve lived in or near Europe for a decade, so I’ve dealt with just about every mechanical quirk and electronic eccentricity that could send an American into a ‘this place really IS hell!’ xenophobic spiral. So, using a couple of learned incantations and rituals, I managed to turn on the TV pretty easily later in the evening.

The apartment listing did say the place came equipped with ADSL and satellite TV. It did not say the ADSL hated Macintosh computers and that the satellite only extended as far as Germany, Italy and France. Not a word of English is spoken on any of the forty-some channels received through the television system in my apartment. Not even BBC World News made its way up to the fourth floor.

My first reaction was one of mild jubilation. Evenings at home would preclude the possibility of slobbing out on the couch to endless episodes of The Simpsons and House M.D. But when I remembered I brought exactly two books in English, knew absolutely no one in Berlin socially and would be here for two weeks, I broke into a sweat.

But it’s not been all tragedy. A humourless lesbian (I’ll leave it to you to decide if there is any other kind) once said to me, ‘You haven’t lived until you’ve had a period.’ Well, finally, I’ve got the counter bitch-slap to knock off her Birkenstocks: ‘YOU haven’t lived until you’ve watched THREE ENTIRE EPISODES of the original ‘A-Team’ dubbed in German while drinking raspberry vodka on a couch in Charlottenburg!’

Chew on that, Schwester.

Monday, 26 October 2009

Deep in the Devil's Workshop

Here, very near but not near enough the end of another bloated, lengthy website build – with too much padded ‘down time’ scheduled for which the agency will bill the client, ostensibly in retribution for that old chestnut ‘delayed feedback’ – the parallel between Doberman pinschers and nine-month digital projects becomes devastatingly clear: the results would always be made much better by simply cutting off the tail. But here we are, forced to linger in the corporate gulag, consuming valuable time, oxygen and space for the next 32 working hours.

It’s Monday morning. Since last Tuesday, my direct involvement in what I’m supposed to be doing has literally amounted to exactly the sum of zero plus its square root. Really upping the insult/injury ante, for the agency’s client, anyway, is the fact that there are two of us here drifting on this stone-dead, glass-calm sea in the same lacklustre boat. The main difference between me and the other freelancer, other than a few years, a few kids and a few London transport zones, is the way we cope with our enforced idleness: He uses two video monitors, the larger of which displays a relevant-looking document at all times, perhaps fooling someone into believing he’s actually working while he reads an endless stream of Wikipedia articles on the smaller. I just feel guilty, for, even though I can feasibly assume little control over my current short-term situation, what’s left of my Midwestern Protestant work ethic is seriously ashamed of me.

Unfortunately, as I’ve gotten a bit older, I’ve become no better, in fact worse, at filling rare downtime with something, anything productive – to include walking through an exhibition, reading a book, switching over to energy-efficient lighting etc – and have understood that what appears to be in those I admire a rare talent springing from an innate fecund core could only exist in me through acquisition and mastery of a new and rather foreign set of skills. For I am rarely motivated from within to produce. And so in times like these, when the void pangs painfully, I seek consolation in the modern day desktop equivalent of heroin: online shopping.

I am too often a complete sucker for the sorts of marketing communications I produce. Some would call this ‘justice.’ I think it’s just rather astonishing that a normally hyper-self-aware person who knows better than to swallow either the red OR blue pill can be so instantly swept away on a tide of digi-drug false love, credit card to sweaty hand.

Nowhere is this more convincingly demonstrated than with email marketing. In the last four working days, I’ve fallen prey to the schtick of schmucks like me as follows:

The Royal Opera House has thought it through very carefully and, on my behalf, scientifically derived a trio of productions that suit my quasi-highbrow artistic tastes, at least where the opera is concerned, and emailed them to me. Seconds later, I joined an electronic queue that felt at once vexing in a ‘why am I, my Louis Vuitton bags and my first class ticket being held outside the Executive Lounge?’, as well as exclusive in a ‘yeah, but at least I’m ahead of you’ sort of way. A half hour of hypnotised page refreshing later, the velvet red curtains were flung open to me. By that point, there was no effective reconsideration facility available. I was down the rabbit hole and into the matrix.

Fifteen minutes and £127 later, I was booked to see three operas between December 2009 and May 2010. I’ve bought attendance at cultural events that will occur so far in the future that diaries to note them down are not yet available in WHSmiths. I’ll no doubt miss La Cenerentola on March 18th, or whatever/whenever it is, through involuntary attrition, the ticket sliding about a kitchen drawer under a calculator, my passports and a big zip bag of euros that followed me back from Germany last year.

Southbank Centre, at 21 acres, is Europe's largest contiguous cultural facility. It is situated on the River Thames at the Eye, fully within the boundaries of my London Borough, Lambeth.

Since their 're-brand,' Southbank Centre emails are more colourful, more frequent and as tempting as chocolate-covered cocaine cookies. Well, I was looking for incentive to walk up there and have a sniff around more often, which illogically but automatically translated into a problem at which I should throw some money. Southbank Centre membership benefits include priority information and booking for major events and festivals, free entry to exhibitions at the Hayward Gallery, access to the private Members Bar, access to members-only events and private views and exclusive offers, such as a 10% discount in the three Southbank Centre Shops.

One Full Membership then, please.

Once in awhile, the odd ‘thing I’ve been wanting that costs less than £100’ comes to mind. This week, it’s happened a few more times than once. In fact, it’s happened four times since Thursday and will shortly yield three books and a pair of Sennheiser MX-660 earbuds landing with a satisfying smack on my living room floor. Something to look forward to every day of the week, I reckoned.

The piece de resistance du merde was born of a spiritual snit-fit against the boredom last Friday. High street retailers like Marks & Spencer and John Lewis proceed unabashed at selling clothing online and seem to do all right. And there are the online-only shops, such as Asos and Net-A-Porter, that seem to be revolutionising the business model. Somebody must be buying clothes online.

But for me, buying clothing – especially jeans and shoes – off the internet makes as much sense as buying a flat off-plan before the ground has been broken. The price may be right, but god knows what piece of fiction/science fiction you’re going to get on delivery.

So what lapse in good sense it was that led me to order a grey, sorta-mostly-wool funnel-neck winter coat after becoming obsessed with studying its online image on Tesco.com is well beyond me. Any takers? That's right: a shiny, pretty email.

What’s worse, I was actually so embarrassed to click the ‘Buy’ button that I arranged to have the accursed item shipped to my flat, where I will of course not be when the DHL driver arrives. I’ll then be forced, yellow card and life in hands, to trek into the darkest reaches of industrial Vauxhall to a soulless depot designed to accommodate only motorised vehicle traffic, at an hour convenient only to fish market traders, to fetch the damned coat, which I will no doubt loathe on sight.

I’ll return it and enjoy watching my card balance go into credit…until I buy a polar bear cub or a Ford Ka off ebay, which should nicely round out Thursday. Fingers crossed.

Saturday, 18 July 2009

Sonic Exorcism: Sometime Around Midnight

I get stuck on a song from time to time. Lately, it's an operatic tear-jerker called 'Sometime Around Midnight' by an LA indy-like band named, after the second part of the Don DeLillo novel White Noise, The Airborne Toxic Event.

I first heard the song a few months back while making toast (the morning is when I'm most vulnerable to attack) on my favourite radio station, BBC 6Music. It burrowed its way into my psyche about three weeks ago and is just now coming out after roughly 1,000,000 plays on the iPod.

The songs that get stuck always have strong emotional pulling power, and they're usually fully plotted, from setting to exposition, through customary climax and denouement. 'Sometime Around Midnight' cloys all categories, ticks all boxes.

(Even so, I'm afraid it's really not, in the end, that great a song. These attachments occur no doubt through a combination of forces: whatever's going on in my life, where I am when I hear the songs and just the right or wrong mood, for starters. But I'll leave the analysis to a qualified therapist, should I someday reach the unlikely conclusion that loving pieces of music to distraction is actually doing me harm.)

The song is set in a bar with live music, consisting of at least piano and vocals, and at a time that I think the title pretty clearly gives away.

First off, there's the melancholy instrumental introduction, set to electronically enhanced strings and probably keyboards. It's an opening that draws blood and, just after clearing the floor of the spilled stuff of life, is followed by a vibrato-treated, but otherwise untainted and minimal guitar riff played on a standard issue Fender Stratocaster. I know this because I used to own one, and no other instrument quite clips and chimes simultaneously with such dramatic effect. A stoned monkey can make a raw Stratocaster vamp sound magical, and The Airborne Toxic Event's guitarist and producer realised straight away that all they needed to do was plug the thing directly into a second-hand Peavey turned up to, maybe, five to achieve the very simple, plaintive voice that sets the ghostly rocking stage upon which the song crashes into the heart.

Queue the singer, Mikel Jollett, a name I have no clue how to pronounce, although I'm drawn to "Michael" after living nine years in a land where every word, no matter how foreign or foreign-seeming, is more shamelessly Anglicised than anywhere else in the English-speaking world.

According to Wikipedia, Jollett suffers from, "a genetic autoimmune disease which led [him] to develop two cosmetic conditions: Alopecia areata and Vitiligo," which apparently render him simultaneously hairless and of uneven skin pigmentation. So he's a bit challenged, and that he sings so sweetly, almost boyishly, the opening lines of the song only heightens the vulnerability of the protagonist. It's probably wrong, but I feel a bit sorry for both singer and subject straight away.

And it starts sometime around midnight -
Or at least that's when you forget yourself for a minute or two.


Our protagonist is having a nice night out, it seems. He's relaxing and letting himself go, forgetting himself and who he is. The danger, of course, is that he could share fates with the protagonist of Douglas Coupland's Life After God, who forgets from time to time, early in the morning, who the adult 'he' is and what he is contractually obligated to get up and go do in the world. He ends up retreating into the British Columbian wilderness and submersing himself in an ice cold stream, an experience that forces his balls to retreat into his body, where he realises he is sick and needs God after all. Caveat, forgettor.

As you stand under the bar lights
And the band plays some song about forgetting yourself for awhile.
And the piano's this melancholy soundcheck to her smile.
And in that white dress she's wearing; you haven't seen her for awhile.


Enter our white-clad mystery woman, who has been out of sight recently. Who is this woman who's so suddenly insinuated herself into this man's revelry? And why has she turned up when he's feeling so emancipated, relaxed and vulnerable?

But you know that she's watching.
She's laughing, she's turning, she's holding her tonic like a cross.


Why is she watching? Perhaps she's keen to see our hero see her having a wonderful time - a comportment that indicates she may wish for him to suffer the best form of revenge: looking good. But she can't leave it at that. She flies in for the full sensory overload, including especially smell, the memory trigger of all memory triggers.

The room's suddenly spinning.
She walks up and asks how you are.
So you can smell her perfume,
You can see her lying naked in your arms.


There's clearly history here, and it seems whatever it was that went on between these two ended in a way that could not be described as 'rosy.'

And so there's a change in your emotions.

Well, duh, and why doesn't he just wear a sign saying "I am, like, SO heartbroken right now! Again, for fuck sake! Arrrrrrgh!" Sometimes, my fellow countrymen, I swear...

And to drive the point into the ground, the guitar enhances the mood by slipping into a noisier mode, akin to the up-the-neck chiming pioneered by The Edge. Still, somehow, despite its sentimentalism, the gesture works.

And all these memories come rushing
Like feral waves to your mind.
Of the curl of your bodies like two perfect circles entwined.
And you feel hopeless and homeless and lost in the haze of the wine.


Ah, poetry. That last line does for the form what any good run of David Mamet dialogue did for iambic pentameter. And now he's filled up again, this time with memories. Did he do her wrong and still regrets it? Is she dangling the big, juicy worm of her irresistible feminine wiles in front of him because she knows what effect it will have on him, and wants to injure him?

Hold tight. It gets much worse.

Then she leaves with someone you don't know.
But she makes sure you saw her
She looks right at you and bolts
As she walks out the door,
Your blood boiling and your stomach in ropes


It's here that Jollett's voice jumps the octave from the land of "I'm so far immune" to "I can't resist the urge to drag you down with me." But she's hit our hero with a cheap shot, perhaps, and again it seems we're still dealing with either warranted retribution or just plain cruelty.

And when your friends say "What is it?
You look like you've seen a ghost."


All hell breaks loose in the orchestra. Guitar, strings, and keyboards conspire to whip us into a sympathetic frenzy of angst and pity heretofore not seen since Elsa walked on to the cathedral, despite the pagan witch Ortrud's vow to imminently destroy her happy world, if not happiness itself, In the Wagner opera Lohengrin. It's all about to go tits up, in short, and famously.

Onward our hero, broken, frustrated and screaming into the night. The rock orchestra goes with him, buoying up his horror and shock into what is either an irredeemable fray of sophomoric emotion or a genuine trauma.

Then you walk under the streetlights
And you're too drunk to notice
That everyone's staring at you


In my experience, this doesn't require a tremendous amount of booze. But adding a reasonable enough quantity of the elixir of amnesia to the forces that have gathered in the face of having a former, and, it seems, wronged - or wrong - love ramming their new-found happiness so viciously up one's nose makes it seem almost feasible.

Still, there's something wrong with all this emotion. Who did what to whom? Is she just a vindictive person? Is he just a sap? Both or neither? I can hardly wait to find out. (And, rest assured, Jollett won't tell us.)

You so care what you look like
The world is falling around you.


It's here I have to pause to hail the understated brilliance of the little-known phenomenon of California irony. To say "You so care what you look like" is the same as saying "You don't care at all how you look." The technique, if it is one, was probably first made popular by Frank Zappa's daughter Moon Unit in the almost-hit Valley Girl off the 1982 album "Ship Arriving Too Late to Save a Drowning Witch." Say what you will about the vacuousness of Los Angeles: there's a nugget of genius in this usage that has been shamefully underrated.

You just have to see her
You just have to see her
You just have to see her
You just have to see her
You just have to see her
You know that she'll break you in two.


Oh, come on now. Really? She doesn't want to see you, so why do you want to see her? What sort of self-disrespecting masochist is this lost boy of ours? How can he become so forlorn, so heartbroken at the one-off sighting of some bird who doesn't care if he lives, but only cares if he dies?

It was after two weeks of suffocating under the weight of the song's raw emotion that I started to consider what was probably happening. I don't like the idea of leaving a hero bleeding needlessly in the artificial light of a drunken stumble home, or worse place, after seeing a woman who seems to want to destroy him, so I did my best to rescue his reputation.

The only way I can seem to redeem this poor sucker is to assume that the woman is dead. He only sees her when he forgets who he is, where he is and, I assume, everything about himself, including everything he's trying desperately to forget. His guard is down sometime around midnight, the witching hour. She's wearing a white dress and carrying a cross. He can smell her perfume, and his intentionally repressed memories of lost love come streaking into him like wild animals out of a black and terrifying forest. And it all happens because he makes a failed attempt to allow himself to start getting his life back to normal. He takes a chance, but it's a gamble as risky as betting a year's wages on the first five cards of a draw poker hand. It's just way too soon, but he couldn't have known. He makes a schoolboy error, but it's a big one.

The opening string motif returns, echoed in the guitar and driven into the light by the persistent beat of the drums. The music gently trails off, and the lonely guitar reduces everything to an ambivalent calm through an unsteady plucking of two notes that futilely trip over themselves at the end, as if they were traumatised and stumbling homeward late in the evening.

Bring on the hangover of a lifetime.

Sunday, 24 May 2009

The Real Pirates of Penzance

My journey to Cornwall Saturday morning began at 6:35 at the bus stop just outside my front door.

It's the nearest stop and serviced only by a 'cracker box cum ghetto' bus: one of those London buses that is indeed red, but missing the upper storey in order to clear dodgy railway overpasses in dodgy neighbourhoods. Not that my neighbourhood is dodgy - unless I cross over the road. My side of the street: lovely Edwardian blocks designed by architects back when architects still cared. The other side: brown brick, broken security doors, pit bull terriers, children who literally kill other children.

In short, typical London demi-socialist idyll. But back to the bus.

I hadn't planned to take the 360 bus until about five minutes before I left home to begin my journey. I reckoned I'd drag my slitty-eyed carcass down to Vauxhall station on foot, grab the fleet-wheeled Victoria line to Oxford Circus and change to the Bakerloo to Paddington. Simples. But the weekend bag (full of, among too many other things, the computer I'm typing on) was wearing me down, so I locked the door, set the alarm and grunted the 20 metres or so to the bus stop.

Now, I'm no optimist when it comes to London buses. They're frequently shit, but, like shit, also a necessity. I read the schedule, which is about as reliable as pulp fiction if it's reality you're after, and noted that the buses came to this stop every 10 to 12 minutes.

What I failed to notice until 15 frustrating minutes later was that I was reading the weekday schedule and applying it to a Saturday. And because I love to salt a self-inflicted wound, I realised I'd been referring to the schedule not only for the wrong day, but also for the wrong part of the morning. The buses only come every 10 to 12 minutes, I now know extremely well, after about 8am, Monday to Friday.

On Saturday, they come at 12, 32 and 50 past the hour until late morning. Doh. (And what's most shocking is that this bus stop is literally within spitting distance of my bedroom window, and I've lived next to it for three years. So much for pathos.)

I'll be fine, I thought. If I'm picked up at 6:50, that still leaves 40 minutes from the moment I step on the imminent 360 until my train leaves Paddington. Surely, I thought in an optimistic burst of holiday euphoria, the gods will smile on me, and this will come to pass.

It didn't, of course. The bus was seven minutes late. The Nationwide cash point at Vauxhall station - and I swear to you this is true AND certainly some sort of conspiracy of the deities - took nearly five minutes to complete my transaction from the time I slipped my card in. It took in the card and held it - nay, cradled and perhaps suckled it for all I know - for a good 40 panicky seconds before asking me if I wouldn't mind please entering my PIN, as though nothing out of the ordinary was happening. I said 'hello' to 7:10am before I set foot on the Victoria line.

Leaving out other minor annoyances - except for not understanding at Oxford Circus that the northbound Bakerloo platform is literally adjacent the northbound Victoria, and letting a standing train pull away in a colossal schoolboy error that cost me another four minutes - I eventually bounded up the escalator onto the main floor at Paddington just in time to see my train sleepily drifting away from platform one.

My next mistake was telling anyone about it.

"You'll need to buy another ticket, I'm afraid," said the man with the heavy west-Midlands accent behind the bullet-proof glass (and now you know why it's bullet-proof). I said I wasn't going to go to stupid Penzance after all. "Fair enough," he said.

It is about here that the mind really fucking boggles. Those of us who, by dint of whatever insanity we entertain, continue to live in Britain know how Kafka-esque making a train journey can be. I'm always surprised when I leave a station at the other end of the line that I'm not played off by a quartet of singing dwarfs, thanking me for traveling with Southwest or Whatever Trains and handing me a chocolate. Even so, you miss your train, you could usually just grab the next one, no harm done.

Not if you've booked with, in this case, First Great Western several weeks in advance and are, it turns out, tied to a specific, scheduled return journey under penalty of financial ruin. This means you have to be perfect twice in one week, and I just don't know how to do that.

I staggered about for a bit, allowing the reality to slowly, painfully settle in. I had paid £44 for my entire journey. I missed the outbound leg of that journey by about a minute. And if I really wanted to go to Cornwall and stay in the lovely hotel with the sea-view room I'd also booked several weeks ago, I'd have to cough up another - sit down and hold tight - £83. I threw my bag, computer and all, to the floor of Paddington railway station and shouted "fuck."

I'm smarter than this, I thought. Surely the internet is the answer. I bought a coffee and sat in a wi-fi zone. I next bought a voucher for 90 minutes worth of BT wi-fi and went back to the drawing board.

£83 again, now with an additional £5.88 tacked on for internet use. (See what I mean about salt and wounds?)

I'd had enough, and there was only one thing to do. Eat the £83, pay for it with what little 'emergency savings' I had left and never think of it again.

This would have been an extremely successful strategy - one deeply rooted, for a change, in adult-mindedness and born of essential wisdom - had someone checked that I had the correct ticket at any point during the shitting five and a half hour journey to Penzance.

And so it came down to this: Do I sit there for five and a half hours with the wrong ticket on the wrong train, essentially a fugitive, and stress myself with the various arrest and police record scenarios that would inevitably roll one into the other in my over-active Protestant-guilty imagination? Or do I console myself with the knowledge that I've done the right thing, regardless of whether or not anyone clacked a hole in my ticket?

Of course, I felt a total mug when I got off the train. The only thing that made me feel any better was being here in the sunshine, amongst the rolling hills in verdant, wild Cornwall. My next stop was the Penzance bus station (boy, do I know how to travel or WHAT?) to catch a hedgerow-dodging, tree-branch-snapping double decker bus to the picturesque village of Sennen near Land's End.

When I finally got there, I felt safe, for it is the part of Cornwall that no railway can touch. Those last 12 miles of Britain are like a green lunar surface: remote, unspoiled, oddly beautiful - and seemingly far, far away from the surreality of the British railway system. I wandered down to a restaurant on the beach at Sennen Cove, ate grilled scallops and monkfish on skewers and left the railway pirates at the end of their line of influence in happy - albeit slightly cursed - Penzance.